terms with Estella than her many suitors because of their past relationship. One day, Estella informs Pip that Miss Havisham has asked him to escort her dismayed to observe Drummle successfully courting Estella and beating out Detailed quotes explanations with page numbers for every important quote on the site. Get an answer for 'Why did Estella marry Drummle and not Pip in Great Expectations?' and find Read the study guide: 1 educator answer; What is the relationship between Estella and Miss Havisham in Great Expectations? eNotes. Quotes would also be welcomed if you would! Thanks so I kind of feel that drummle is an imporatnt character in estella's life You know how.
Estella is obviously trying to obstruct Pip's advances by telling him to "take warning" but Pip can't see beyond his own feelings for her. There, Miss Havisham gloats over stories of Estella's many suitors, hissing to Pip "How does she use you? Again, Pip's infatuation with Estella distorts the stark evidence that Miss Havisham's revenge plot works on Pip too.
When Estella pulls away from Miss Havisham's clutching grip, Miss Havisham grows hysterical and accuses her of ingratitude, cold-heartedness, hardness, and pride. Estella calmly replies, "I am what you have made me. Take all the praise, take all the blame.
The character of Drummle - how is he significant?
Miss Havisham insists she gave Estella, "a burning love, inseparable from jealousy at all times. I have never shown any weakness. She has raised Estella without any sense of self, without anything to have integrity to. Estella feels that she belongs entirely to Miss Havisham as a mere pawn in Miss Havisham's scheme against men.
BBC - GCSE Bitesize: Pip and Estella - 'bent, broken but better': Chapter 59
The fact that Miss Havisham's love shades so easily into jealousy calls into question whether it is love at all. Indeed, Estella implies that her own inability to love is due to never having been loved herself. Pip hotly contests it and challenges Drummle to a duel, which is cancelled once Drummle produces a personal note from Estella confirming the acquaintance. One of the possible meanings of this is that Estella, even though she doesn't acknowledge the fact, loves Pip.
The manner in which Estella was brought up saw that she would undergo strong emotional suppression and is unable to identify her own feelings, let alone express them. In a way, Estella is a character to be pitied, and even through her actions, we can see that she is still a victim of Miss Havisham's cruel vengeance.
Estella as a symbol of Pip's longings in Life[ edit ] Pip is fascinated with the lovely Estella, though her heart is as cold as ice.
Aside from the evident romantic interest, which continues through much of the story, Pip's meeting with Estella marks a turning point in his young life: Estella criticises Pip's honest but "coarse" ways, and from that point on, Pip grows dissatisfied with his position in life and, eventually, with his former values and friends as well. Pip spends years as companion to Miss Havisham and, by extension, Estella.
He harbours intense love for Estella, though he has been warned that Estella has been brought up by Miss Havisham to inspire unrequited love in the men around her, in order to avenge the latter's disappointment at being jilted on her wedding day. Estella warns Pip that she cannot love him, or anyone.
Miss Havisham herself eventually decries this coldness, for Estella is not even able to love her benefactress. Estella and Pip as adults[ edit ] After Pip receives an unexpected boon of a gentleman's upbringing and the "great expectation" of a future fortune from an unknown benefactor, he finds himself released from the blacksmith's apprenticeship that had been funded by Miss Havisham as compensation for Pip's years of service to her.
He also finds himself thrown into Estella's social milieu in London, where Pip goes to be educated as a gentleman. He relentlessly pursues Estella, though her warm expressions of friendship are firmly countered by her insistence that she cannot love him.
In fact, Pip discovers that Miss Havisham's lessons have worked all too well on Estella; when both are visiting the elderly woman, Miss Havisham makes gestures of affection towards her adopted daughter and is shocked that Estella is neither able nor willing to return them. Estella points out that Miss Havisham taught her to be hard-hearted and unloving.
Even after witnessing this scene, Pip continues to live in anguished and fruitless hope that Estella will return his love.
Pip and Estella - 'bent, broken but better': Chapter 59
Estella flirts with and pursues Bentley Drummle, a disdainful rival of Pip's, and eventually marries him for his money. Seeing her flirt with the brutish Drummle, Pip asks Estella rather bitterly why she never displays such affection with him. Rather than achieve the intended effect, this honest behaviour only frustrates Pip. It is implied that Drummle abuses Estella during their relationship and that she is very unhappy. However, by the end of the book, Drummle has been killed by a horse he has allegedly abused.
The references to Drummle's marriage and death are conjectural, and no direct evidence is produced or suggested. Pip 'hears' of Drummle's poor behaviour and accepts the information as truth. The relationship between Pip and Estella worsens during their adult lives.
Pip pursues her in a frenzy, often tormenting himself to the point of utter despair. He makes writhing, pathetic attempts to awaken some flicker of emotion in Estella, but these merely perplex her; Estella sees his devotion as irrational. Varied resolutions of Estella's relationship with Pip[ edit ] Estella and Pip.
Though Estella marries Drummle in the novel and several adaptations, she does not marry him in the best-known film adaptation.
However, in no version does she eventually marry Pip, at least not within the timespan of the story. The eventual resolution of Pip's pursuit of Estella at the end of the story varies among film adaptations and even in the novel itself. Dickens' original ending is deemed by many as consistent with the thread of the novel and with Estella's allegorical position as the human manifestation of Pip's longings for social status: I was in England again—in London, and walking along Piccadilly with little Pip—when a servant came running after me to ask would I step back to a lady in a carriage who wished to speak to me.
It was a little pony carriage, which the lady was driving; and the lady and I looked sadly enough on one another.