The Sad Ballad of Bing and His Boys | badz.info
Lawrence A. Crosby, Kenneth R. Evans, & Deborah Cowles. Relationship depend mostly on relationship quality (i.e., trust and satisfaction), whereas the ability to convert those opportunities into We hope future researchers will seek to. “The warm relationship in their movies could not have been further from the truth," according to hope's biographer Richard Zoglin. "They were. But Bing Crosby's mellow image was shattered after his death – 30 years ago Crosby's sons by his first marriage to singer Dixie Lee – Gary, Phillip, he also left millions in a trust that they could not touch until they were
In a scene that appeared to have been filmed in slow motion, Bing turned a corner to the left just as Harry stood up to gesture to me. I saw the child tumble over the side of the car, and felt an ominous bump as Bing jammed on the break, leaped out dumping Mary Frances into the sand, and raced for Harry. Harry was only four years old at the time, but when contacted for this article recently, he said Rosemary remembered this incident vividly and occasionally talked to him about it.
She was a straight talker, a wonderful guide and a loving soul. She was truly family When I was 18 I lived in the back of her garage, when I'd come down to visit the family members. I was going to the California Insitute of the Arts and I always had a bed there. I had a really close relationship with all of her children, all of her five kids.
Inat the close of a concert in Pasadena, California, a technical snafu would cause Bing to tumble from the theater stage and fall into the orchestra pit, rupturing a disc in his back.
Rosemary was touring with Bing at the time, and had already left the theater with Bing's children. They were being driven to a local restaurant when the news reached them about the incident. Rosemary did her best to keep the Crosby kids calm while they raced to the hospital. Remarkably, Bing had recovered sufficiently from the fall to resume the tour some weeks later. DiPaolo said her habit of taking Crosby's children out for dinner after the show began early in her series of appearances with Bing, which began around and continued until Bing's death in mid-October, She'd take Harry and Mary Frances and Nathaniel and her kids and me and we'd all go to SoHo and have dinner almost every night at this Italian restaurant.
Bing and Kathryn wouldn't go.
Bing finally said, 'My goodness, you're really taking the kids around here a lot. You must be spending a fortune. Although he did throw a great party in London with caviar all over the place. Sylvia Sims was there. It was a great party. Crosby and Clooney were so popular in Ireland that people didn't know what hit them. They performed at a little theater called the Gaeity. When we arrived at the Grisham Hotel, there was Rosie standing outside in sort of a misty drizzle.
She was wearing a raincoat and that was all she was wearing. A bomb had gone off in the hotel and they ushered everyone out. She had just come out of the shower and she grabbed her raincoat and there she was. She said, 'It's pretty lively over here.
He said, 'These are my brothers, Sean and Michael and Danny Ted Rogers, the comedian, was also there. Ted was a political satirist. The guys looked at him and said, 'Good routine. Let's see how you go tonight. He whispered, 'That was the IRA. Long after Bing had passed away, Rosemary, Dolores and Kathryn would get together frequently for card playing and cocktails.
But Kathryn was always kind of in there and enjoyed everybody. And Rosemary said, 'I never drink before a show. She had come in and advised about what doors needed to be taken down, and which ones needed to be widened, how things should be done. Very much so," Hope publicist Grant said. So many people called and sent flowers.
Everybody was doing that. It was a terrible time for me. Bob and Dolores were very concerned though, oh yeah. It was a party, and Rosie was there and giving hugs and talking to everybody. It was a surprise to me that she died so soon after that.
New Bob Hope biography reveals he hated Bing Crosby and was a cheat | World | News | badz.info
It was fairly recently, a couple of years ago. She told Larry King that two years ago, at Bob's 98th Birthday party, she witnessed Rosemary's comeraderie with the family. Of course, he always knew Dolores' voice. Dante remembers one such birthday party vividly. Every year they would do that. The last time they did it, the cowboy singer, the millionaire, Gene Autry, he came in with his wife, Jackie.
We all sat at the same table outside, on the patio. I said, 'You know, one of my very favorite songs that you recorded was 'The One Rose. Dolores had started her singing career in the s, well before she met Bob. Cinema goers overwhelmingly chose Bing, which annoyed Hope, who got his costar back by constantly reminding him that he wore a toupee. In one scene both men were sharing a room and about to settle down for some shuteye; Bing refused to take his hat off. No amount of coaxing from Paramount executives could get Crosby to change his mind; he did not want to hear Bob's toupee barbs.
Hope later said the greatest acting performance he ever gave was smiling when he served as Master of Ceremonies while Bing won his Academy Award for playing a priest in Going My Way In the late 30s, Bob Hope made fun of veterans on his radio show. Performing at army bases was a way to bring up ratings. Then came World War II with Hope and a number of other stars recruited by the government for a war bond selling, victory caravan tour.
Unlike many of the pampered celebrities who complained about the cramped quarters on their shared train, the ex-vaudevillian Hope was exhilarated by the travel. It was no problem for him to go overseas to entertain the troops.
Bob Hope Stories
At first Hope found America's homesick young fighting men to be the easiest audience he ever faced. He returned to broadcasting for the last 13 weeks of the — season. The legend that has been most often told is that it would give him more time for golf. He did record his first Philco program in August so he could enter the Jasper National Park Invitational Golf Tournament in September when the radio season was to start. But golf was not the most important reason.
He wanted better quality recording, the ability to eliminate mistakes, and to control the timing of his performances. Because Bing Crosby Enterprises produced the show, he could purchase the best audio equipment and arrange the microphones his way; microphone placement had been debated in studios since the beginning of the electrical era.
He could also record short promotions for his latest investment, the world's first frozen orange juice, sold under the brand name Minute Maid. Poniatoff ordered Ampex, which he founded into manufacture an improved version of the Magnetophone. Crosby hired Mullin to start recording his Philco Radio Time show on his German-made machine in August using the same 50 reels of I.
Farben magnetic tape that Mullin had found at a radio station at Bad Nauheim near Frankfurt while working for the U. The advantage was editing. As Crosby wrote in his autobiography: By using tape, I could do a thirty-five or forty-minute show, then edit it down to the twenty-six or twenty-seven minutes the program ran.
In that way, we could take out jokes, gags, or situations that didn't play well and finish with only the prime meat of the show; the solid stuff that played big. We could also take out the songs that didn't sound good. It gave us a chance to first try a recording of the songs in the afternoon without an audience, then another one in front of a studio audience.
We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product. If I made a mistake in singing a song or in the script, I could have some fun with it, then retain any of the fun that sounded amusing.
Mullin's memoir of these early days of experimental recording agrees with Crosby's account: In the evening, Crosby did the whole show before an audience. If he muffed a song then, the audience loved it—thought it was very funny—but we would have to take out the show version and put in one of the rehearsal takes. Sometimes, if Crosby was having fun with a song and not really working at it, we had to make it up out of two or three parts. This ad lib way of working is commonplace in the recording studios today, but it was all new to us.
Mullin explained how one new broadcasting technique was invented on the Crosby show with these machines: One time Bob Burns, the hillbilly comic, was on the show, and he threw in a few of his folksy farm stories, which of course were not in Bill Morrow's script. Today they wouldn't seem very off-color, but things were different on radio then. They got enormous laughs, which just went on and on.
"There for each other" - Clooney, Crosby & Hope
We couldn't use the jokes, but Bill asked us to save the laughs. A couple of weeks later he had a show that wasn't very funny, and he insisted that we put in the salvaged laughs.
Thus the laugh-track was born. Crosby started the tape recorder revolution in America.
- Bing Crosby
- Bob Hope 'hated Bing Crosby and was a love cheat' new biography reveals
- The Sad Ballad of Bing and His Boys
In his film Mr. Musiche is seen singing into an Ampex tape recorder that reproduced his voice better than anything else. Also quick to adopt tape recording was his friend Bob Hope.
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He gave one of the first Ampex Model recorders to his friend, guitarist Les Paulwhich led to Paul's invention of multitrack recording. His organization, the Crosby Research Foundation, held tape recording patents and developed equipment and recording techniques such as the laugh track that are still in use today.
Television production was mostly live television in its early years, but Crosby wanted the same ability to record that he had achieved in radio.