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The location of the North geographic pole wanders in a small erratic circle-like path, called the "Chandler wobble. The magnetic poles are far more restless.
They move under the influence of the dynamo currents in the Earth's core, as well as electric currents flowing in the ionosphere, the radiation belts and the Earth's magnetosphere. The North magnetic pole seems to be moving northward at an average rate of 10 kilometers per year. Yet there is also some elliptical motion to this general trend. On any given day, the magnetic pole may be as much as 80 kilometers away from its average position, depending on the geomagnetic disturbances in the ionosphere and magnetosphere.
Modern navigators normally are not affected by the wandering of the poles because they can regularly determine their position from satellites and Earth-based observatories. The degree of difference between the position of these two poles when seen at various locations is called magnetic declination. These angles allow navigators to determine their actual geographic position. Charts and handbooks for navigation regularly update these values and are published by government agencies.
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Maritime and air navigation regulations require use of these up-to-date charts and tables. Without GPS, the navigator would use a new version of the chart or table.
Nothing too busy, just a simple line with some nice sustained notes as this will help when you start wobbling that bass.
Open up the Mixer with F9. On Ins4 on the channel strip, let's add the Fruity Fast Dist, a great simple distortion unit.Meet Master Wobble
This adds some nice distortion to the bass. How about some more distortion? For some extra bite add the Hardcore guitar effects unit plug-in on Ins3.
Now that adds some heavy saturation to the sound, but this may be a bit much. On the channelstrip of the bass track next to effect plug-in, you have a mix level where you can choose how much of the effect you want to apply.
Roll off the low end, and add a slight boost in the Hz region, and then increase the high-shelf at about Hz for a bit more sparkle on the sound. Lastly, add the Fruity Chorus to widen the bass sound and add in some slight modulation. On the default setting that comes up, set the Delay to 8.
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Step 3 — LFO Automation Clips To get that classic wobble bass, an LFO needs to be assigned to the cutoff frequency, and then we will modulate this to generate different wobble effects with the bass. This can be done quite easily with the 3xOsc synth.
Now go down to the LFO settings.
Leave it set to a Sine wave. You will see the automation clip for the speed parameter now in the step sequencer. Rename this to Filter LFO.
And in the playlist rename this to Filter Modulate. You can now draw in node points on this playlist view.
I have my node points set to Hold. This will draw in square node point that I can easily adjust to change the speeds.
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Draw in some node points and move them around to hear how the LFO modulates the filter on the synth. You can also tweak the Filter on the 3xOsc for a different filter sound.
How about trying this on the Pitch?