BRUNO SCHULZ MITYZACJA RZECZYWISTOCI PDF

As we all know by now, the reception of Bruno Schulz’s work is a long story, vast in scope. 37 B. Schulz, Mityzacja rzeczywistości, in Opowiadania, p. famous essay Mityzacja rzeczywistosci [The Mythization of Reality], nMityzacja rzeczywistosci, in Bruno Schulz, Proza (Krakow: Wydawnictwo. Literackie. 2 “Poezja – to są krótkie spięcia sensu między słowami, raptowna regeneracja pierwot-nych mitów.” Schulz, Bruno: “Mityzacja rzeczywistości”. In: Schulz, B. and .

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Knowledge tends to the same inductively, methodically, taking the entire material of experience into account. But the elements which it uses in construction have been used once before, have come from forgotten and shattered ‘stories’. At bottom, both one and the other have the same aim.

But the reverse would be more accurate: That which has no meaning is not real for us. This is Info-Poland’s cache of http: But when in some way the injunctions of practice relax their strictures, when the word, released from such coercion, is left to its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its former connections and becomes again complete in meaning – and this tendency of the word to return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry.

Schulz, Bruno: Mityzacja rzeczywistości

But when in some way the injunctions of practice relax their strictures, when the word, released from such coercion, is left to its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its former connections and becomes again complete in meaning – and this tendency of the word to return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry.

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But knowledge, too, is nothing more than the construction of myths about the world, since myth resides in its very foundations and we cannot escape beyond myth. Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth.

The unnamed does not exist for us. Translated by John M. For that reason, it retains within it a tendency to grow again, to regenerate, to become complete in its full meaning. But the elements which it uses in construction have been used once before, have come mltyzacja forgotten and shattered ‘stories’. The spirit’s first and foremost function is to tell stories and to make up ‘tales’. The process of making sense of the world is closely connected with the word.

And yet over time the word grows rigid, becomes immobilized, ceases to be the conductor of new meanings. The old cosmogonies expressed this in rzeczyaistoci maxim ‘in the beginning was the Word’. Speech is the metaphysical organ of man.

Bruno Schulz

Why something should appear meaningful to us is impossible to define. The original word was an hallucination circling the light of meaning, was the great universal totality.

The poet restores conductivity to words through new short-circuits, which arise out of their fusions. Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations.

The mythologization of the world has not yet ended. When we employ commonplace words, we forget that they are fragments of ancient and eternal stories, that, like barbarians, we are building our homes out of fragments of sculptures and the statues of the gods. The page may have changed since that time or the link to it may be broken.

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It is an absolute given.

Bruno Schulz | Open Library

The thousandfold yet integral organism of the word was torn into individual phrases, into letters, into colloquial speech and in this new form, applied to practical needs, it has come down to us as an organ of understanding. The process of making sense of the world is closely connected with the word. It is an absolute given. The process has merely been restrained by the development of knowledge, has been pushed into a side channel, where it lives without understanding its true meaning.

It cannot be derived from other givens. Co nie ma sensu, nie jest dla nas rzeczywiste. Our most sober concepts and definitions are distant offshoots of myths and ancient stories.

Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations. At present we consider the word to be merely a shadow of reality, its reflection.

The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. The Mythologization of Reality English The essence of reality is meaning.

The old cosmogonies expressed this in the maxim ‘in the beginning was the Word’. It seeks this meaning on the heights and scaffolding of its artificial mounds. The life of the word and its development have been set on new tracks, on the tracks of practical life, and subjected to new notions of correctness.