JOHN STAINER THE CRUCIFIXION PDF

It is easy to dismiss Stainer’s Crucifixion as the epitome of English musical disfunctionality in the nineteenth century. Yet, over years after its premiere at . 1 Music files. Complete work; Individual movements. 3. Processional to Calvary (Fling wide the gates); Hymn: Cross of Jesus. Founded in , the Huddersfield Choral Society has long been a major part of the town’s vibrant musical tradition. Under a succession of distinguished.

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Two years later, he died of heart failure, on 31 March, whilst holidaying in Verona. So thou liftest thy divine petition Bass, Tenor The mystery of intercession Recitative: Composition aside, he was a tireless worker for those around him, raising the standard of the choir to new heights, augmenting its numbers and making sure that salaries were raised to appropriate levels.

Arrangements and Transcriptions Procession to Calvary No.

The first performance of The Crucifixion was well received, but it soon attracted fierce criticism, both for its libretto and its music. And when they were come Crucifxion The mystery of the divine humiliation Recitative: An unselfregarding and genuine performance such as this probably makes as strong a case as can be made.

Javascript is required for this feature. Later in life, he was ever keen to acknowledge this period as tbe the utmost significance in his musical development.

This file is part of the Sibley Rhe Project. The structure of The Crucifixion is inspired by J. Contents 1 Performances 1. After this, Jesus knowing that all things were now accomplished Tenor For the love of Jesus. Gramophone’s expert reviews easier than ever before.

The Crucifixion (John Stainer) – ChoralWiki

While Great Britain was making the running in most of the arts and crafts, music seemed barely to be on the agenda—at least so far as home-grown talent was concerned. The Crucifixion can still bat with the best of them every season, its many performances and broadcasts every year at Passiontide gladly attended and participated in with great British gusto.

His good works must have been well noted in high places as in he was made principal of the National Training School for Music and his generous offices were rewarded by Queen Victoria in with a Knighthood. Composition Artist Credits The Crucifixion. In its favour, it unfolds with a seamless ease, never jolting the listener with gratuitous theatricality or the type of rhetorical intensity which the English find mildly embarrassing.

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The Crucifixion may be his only tangible musical legacy, but he is perhaps even better remembered by musicologists for his contributions to the discipline. Naxos Javascript not enabled. Handel and Mendelssohn remained the staple diet, supplemented by a host of native English oratorios often written in pale imitation of the two German titans.

Introduction English In the monumental Victorian era, with Britain ruling the waves and at the zenith of its economic, military, industrial and imperial power, artists, architects, poets and polymaths seemed to be ten-a-penny. The likes of Paxton, Alfred Waterhouse and George Gilbert Scott were erecting the grandest or most innovative structures, from sophisticated private residences and places of worship to the grandiose schemes of Whitehall and the Crystal Palace. November Total duration: As to the forces: The oratorios of Handel neatly side-stepped these issues by being neither liturgical in initiation nor purely theatrical in conception.

His oratorio, Elijahcomposed for the Birmingham Festival inand now with an English text, further endeared him to the British public and helped re-invigorate English composers into moving toward the European mainstream. How should we view The Crucifixion today?

Bach, the scheme of arias recitatives, choruses and chorales hymns reflecting that of the St John and St Matthew Passions. When Jesus therefore saw his mother Recitative: Stainer was one of the most distinguished musicians of his generation. He quickly became one of the leading solo boys and is known to have sung at some extremely prestigious events, such as the funerals of artist J. Is it nothing to you Bass The appeal of the crucified Recit.

This template was set before Victoria became monarch and Handelian oratorio, rather than opera, was setting the musical pulse of the nation.

Stainer The Crucifixion

Sacred oratorios ; Oratorios ; Religious works ; For 2 voices, mixed chorus, orchestra ; For voices and chorus with orchestra ; Scores featuring the voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Scores featuring mixed chorus ; Scores featuring the orchestra ; English crucofixion ; For organ arr ; For 1 player ; Scores featuring the organ. His edition of Early Bodleian Music is recognised as the earliest attempt by an English scholar to investigate music before the great Renaissance figures of Palestrina, Lassus, Victoria and Tallis.

Two years later he met Sir Frederick Ouseley, then Professor of Music at Oxford who, as a prodigious youth, had impressed no less a figure than Mendelssohn. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

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Once again his administrative and scholarly skills were employed to great effect and he retained the post for a decade, retiring in If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. And one of the malefactors The adoration of the crucified Recitative: Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Skip to main content. He was renowned for his considerable scholarship as a researcher into and editor of early music. Although enjoying a close working relationship with any leading professional orchestras and conductors, the Society is a independent and self-governing amateur choir, drawing talented singers from a wide area across Yokshire and the north of England.

He also introduced weekly choral celebrations of communion and processions while providing adequate rehearsal time to cope with an expanded and enhanced repertory. Unlike the passions, however, there is no orchestra to provide light and shade to accompaniments and add piquancy or punch to the drama.

Much of the credit also goes to Margaret Phillips whose imaginative and genial registrations, not to mention her skilful accompaniment, provide notable support to the excellent contributions of Martyn Hill and Michael George. The all-time greats Read about the artists who changed the world of classical music.

Yet, over years after its premiere at Marylebone Parish Church inthis work still has a following. And then there were others, such as John Ruskin and William Morris whose brilliance shone over numerous arts and disciplines. Creative Commons Attribution 4. To those using these notes You are more than welcome to use all or part of these notes for your choral society or church programme, or for educational purposes.

Some years have passed since its first performanceand opinions are still sharply divided as to its worth. Stainer was born into a family of modest means in Southwark on 6 June and was taught organ from an early age by his schoolmaster father. Too often in this piece I hope for a bar or two of Mendelssohn, something momentarily inspired.

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