Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski Milhaud, Darius – Suite, Op b – Violin, Clarinet, and Piano – Editions Salabert. The star player on this fine showcase is clarinettist Ludmila Peterkova, a one-time graduate of the Prague Conservatory who has already recorded Bruch and.

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Aram Khachaturian was born in the Georgian city of Tiflis now Tiblisi.

The Khachaturian Trio dates from and was once promoted by Miaskovsky, no less. Most of his works were for orchestra or large ensembles, although he did write a string quartet and this trio. L’ Histoire du soldat.

Trio for clarinet, violin & piano… | Details | AllMusic

The Trio dates from while Khachaturian was still studying with Myaskovsky, who was so impressed with the work that he arranged for it to be premiered in Paris. The work is in three movements. The opening movement, Andante con doloreis essentially a lyrical improvisation based on a slow, mournful clzrinet derived from an Armenian folk song, and decorated with arabesque embellishments.

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The Moderato finale is a set of variations on an Uzbekistani folk song, effectively contrasting the timbres of the instruments and showing off the clarinet as a folk instrument. Skip to main content. The opening Andante con dolore, molto espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding a complex layer seemingly in rhythmic conflict with the other instruments.


The finale, Moderatois a set of nine variations based on an Uzbek folk melody, featuring several exotic intervals. Here and throughout the trio, you hear the distinctive duo of undulating, decorative elaborations evoking a highly emotive, improvisational cantillation.

Bartók/Khachaturian/Milhaud/Stravinsky Clarinet Trios

Prokofiev was so impressed with this piece that he was able to see that it was performed and published in Paris soon after it was completed. Later he transferred to the Moscow Conservatory where he studied composition with Nikolai Myaskovsky. Trio for Clarinet, Violin and Piano. He did not begin to study music as a child but at 19 took up the cello.

Aram Khachaturian Trio for Clarinet or Viola, Violin & Piano

Please enable JavaScript in your browser to use the site fully. Aram Il’yich Khachaturian Composer. That again is from a mixed recital. Share on facebook twitter tumblr.

Eventually, he served as a professor at both music schools. Romantic Evening Sex All Themes. The finale is a spicy set of variations on an Uzbek melody and the style throughout is highly characteristic. The more moderate finale is a theme khachaturoan variations based on an Uzbek folk melody giving Khachturian an ample vehicle for demonstrating the riches of this ensemble supremely suited to his unique style.

An outstanding conductor and teacher as well, Khachturian is remembered today primarily for his orchestral music comprising symphonies, khachaturkan, ballet and film music, his most popular “hit” being the Sabre Dance from the Gayane suite.

The trio features three movements in a somewhat novel pattern khachatirian slow — fast – slow. Bartok, Francaix, Khachaturian, Poulenc and others: Modal and chromatic scales swirl from the richly expressive voice of the clarinet and the rustic fiddling of the violin in a rich duet anchored by the piano’s rhythm, harmony and imitation.


Introspection Late Night Partying. Her style hints at the once-familiar chirruping tone that we associate with the best of clarineh Czech forebears, and it suits this particular recital. What clarinst distinguishes Khachaturian ‘s Clarinet Trio from nearly all others written earlier, such as Mozart ‘s, Beethoven ‘s, or Brahms ‘, khzchaturian his use of the violin rather than the mellower-sounding viola or cello.

His talent was so great that he was admitted the Gneissin Institute, Moscow’s second most prestigious music school. A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition. Jazz Latin New Age. In three movements, the trio displays Khachaturian ‘s trademark use of crossrhythms, folk songs, and harmonies that could be thorny at some times or bittersweet at others.

The middle Allegro is very obviously modeled on folk dances, with rich color and precise rhythms.

The higher-sounding string instrument becomes more of a partner to the clarinet, claeinet the melodic duties throughout the piece. Rainy Day Relaxation Road Trip. Although he wrote very little for intimate ensemble a handful of duo character pieces, a violin sonata and a fugue for string quartetinat the age of 29, still a student, Khachturian composed a marvelous three-movement trio for clarinet, violin and piano.