Kurtág György: quasi una fantasia for piano and groups of instruments dispersed in space. score and parts. Op. 27 No. 1. Setting: Chamber Orchestra. Quasi Una Fantasia Op 27 No 1 is a miniature piano concerto in all but name. Op 27 No 2 (Double Concerto), as he titles it, pits solo piano. 16 nov. Stream György Kurtág, quasi una fantasia (extrait) by Ens. intercontemporain from desktop or your mobile device.
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That awareness is one of the main qualities of Genre Chamber Music Classical. It is one of the most perfect and unprecedented little movements to emerge from twentieth-century chamber music, but it endlessly enriched fanyasia the preceding movements.
György Kurtág – …quasi una fantasia… – |
It gives one just enough of a glimpse into a wonderful quuasi that the composer seems to not feel he has the time to elaborate upon. As it often happens in his later material, the general soundscape is reminiscent of some of Crumb ‘s sound world, though this is most likely a coincidence.
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It consists of four movements and is about seven minutes in duration. This work calls for some unusual staging, with mouth organs kurtqg at strategic points in the hall to make the most out of the acoustic space.
Its brief opening I. A descending piano line with tiny utterances among the winds and then percussion says the most honest thing about beauty that no one cares to say, that it is destroyable. Both have a relationship with the two fntasia sonatas of Beethoven’s Op 27 the second of them the Moonlightbut there are no explicit musical connections, and what links them in Kurtag’s mind is some intangible sense of structure or expressive purpose.
No other composer conveys this feeling so well, and its beauty does not pale over time. afntasia
Quasi Una Fantasia Op. 27 (Full Score)
Sometimes the references are more or less explicit quotations; in other pieces, the connections are more elliptical. Everything is presented with consummate precision and with the greatest consideration for a sensitive audience.
These exceptional scores formed the core of the last of the South Bank’s concerts in its Kurtag series. Sexy Trippy All Moods.
If it was slightly underpowered, that was the acoustic’s fault, not the players’. Streams Videos All Posts.
Webern had a comparably hysterical, overwhelming movement fantazia both of his collections of atonal orchestral works. The pianist simply leads the ensemble of the movement each movement has a different supporting cast of instruments but there is nothing remotely showy about the sound or the presumptions behind it. Share on facebook twitter tumblr.
Aside from their comparable abilities to write in miniature form, both composers are able to astonish of the tiniest of resources, distilling the purest, communicative sound. There is no comparison to be had for the work’s concluding aria.
Romantic Evening Sex All Themes. It also establishes the work as one that highlights the piano without giving it any sort of grand position. The slowly descending piano scale that opens Op 27 No 1 is a miniature piano concerto in all but name.
The pianist possesses the same gift as the composer for defining an expressive world in a single phrase. The pieces were written for Kocsis Kurtag has been working on another piano concerto for him since the s and it is easy to see why. The rest of this perfectly conceived all-Hungarian programme brought sparky performances of Ligeti’s Melodien and his trumpet showpiece, Mysteries of the Macabre, with John Wallace as the irrepressible soloist.
The Double Concerto is larger-scale, and if anything even more remarkable – by turns physically assertive, wispily elegiac and ending in bleak acceptance.
Quasi una fantasia, for piano & instrumental groups, Op. 27
Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Please enable Fantxsia in your browser to use the site fully. The effect is one of reminding the listener what can so easily destroy the performance, or any performance of this nature: Zoltan Kocsis un the soloist in both Kurtag works earlier in the evening he had also paired Beethoven’s two Op 27 sonatas in a short recital ; in the Double Concerto he was joined by cellist Miklos Perenyi.
The second movement Presto minaccioso e lamentoso features a benign collection of fragmented utterances.
Quasi una fantasia, for piano &… | Details | AllMusic
Largo is the essence of fragility. Op 27 No 2 Double Concertoas he titles it, pits solo piano and cello against two groups of instruments arrayed around the hall. G yorgy Kurtag’s music is larded with acknowledgments of the past, of the great tradition that he has supported quas a teacher and coach.