LUISI INTERVIU PDF

Luisi Myhyv Nua (~??? anos) em Interviu () Nesta cena, Luisi Myhyv tinha ~ ??? anos. Pics. 1. 2. 3. 4. 5. 6. 7. 8. Clips. * A idade da celebridade durante. Luisi Myhyv nua e vídeos sexy! Descubra mais fotos nuas, vídeos e fitas de sexo da Luisi Myhyv no maior catálogo online Luisi Myhyv Nua em Interviu. Interviu cu violonistul Mircea Dumitrescu Brahms Violinkoncert – Leonidas Kavakos – DRSO – Fabio Luisi – Duration: mugge62 51,

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Very erotic for sure. To do this I need to smile, to breathe, as I am conducting for the audience, and I need to create an emotional intensity. Then there is Sinopoli, who has a very special place in my life.

Interview: Sesto Quatrini On His Conducting Style & Career Ambitions

The orchestration also takes into account the human voice. And the singers are always first, the conductor is second! We had succeeded together, in creating something magical. I have my interpretation, I have my ideas, but my interpretation is always subjected to change, depending upon the vocal characteristics of the singers you have in front of you.

My ambition is to return to the New York Met, where I started.

Luisi Myhyv Nua em Interviu < ANCENSORED

It is another level of reading. By returning there, I will close the circle. I mean the right passion — which is not the same as making big gestures, but is a passion for the job itself, a complete devotion intervui the job, to what you are doing. Symphonic music is fantastic, but it is more technical.

Luisi Myhyv nua. Fotos e Vídeos Nua, fita de sexo < ANCENSORED

I have high expectations and I am attempting to achieve perfection. Fabio Luisi, of course, is my mentor, he is more than a guru. I am devoted to the festival. You can rehearse, you can focus on problems or work with sections of the orchestra, but during a concert there is something more you have to have.

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If a conductor does not take this into consideration, they should work with midi voices. Then there is Abbado, especially in his last 15 years of his life, after his battle with cancer.

No it is something more — it is the magic! Now I am conducting a lot of opera, and I am Italian and so I have a deep knowledge of the Italian language, and the sound of the language, the history of the language, so I feel good in this repertoire. It is very difficult to sing, and not a lot of people can sing this repertoire, but his way of treating the vocal material is perfect, like Puccini I would say, both sound so natural, which is not always the case in bel canto.

I will go there, see what materials I have to work with and will model my interpretation according to their voices and the way in which they see the music. I am tough, very severe, especially with myself and the orchestra.

The conductor only needs to realize this. So I am very serious during rehearsal. He is the polar star, because his approach to music is completely orgiastic, completely Dionysian, and it is how I came to realize that eroticism exists in music.

Then there are the Italian conductors, because I must not forget that I am Italian. It would be interesting. It has been a rapid rise for the young conductor who, at the age of 34, seems destined for the top.

When writing, he took into account the vocal possibilities of the singers, so there are no risks for them. I am not like that. The second is passion, by which I do not mean over-conducting.

Conducting is a very erotic act, and every erotic act needs passion, love, needs to lhisi. Of course I am still a not an important conductor, but I am one of the young conductors who conducts a lot, and with some success.

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We can open up general rehearsals for young people, but that is not enough. It is this phenomenon that identifies a person as a great conductor, it is something very esoteric. Because you have in front of you an orchestra, and the sound arrives physically. It is very sophisticated. Also we need to change the repertoire a little. We are not talking about a conductor who stops the orchestra on cue, or ensuring everybody stays together, or beating the right luii, in order to ensure the relationship between the stage and the orchestra is perfect.

Think of all the people who are suffering, the old, the sick and how much they would love to hear opera. I include the rich opera houses in this too because it is not just a business, it makes the world more human.

So it is important, especially for a young conductor, to prepare correctly, and to kuisi a lot, because there are many things to do. I needed to become a conductor myself. He is the complete opposite. It is a good place for me to start my career. If you can do this, you can consider yourself to be a conductor, an alchemist of music, a total artist.

I find eroticism everywhere, in food, in tastes, in architecture, in every scent I smell as I walk along the street, and of course, in music, and this has a positive impact upon me. Everybody knows it, so it is challenge I must meet, and must win. I am not very tolerant. It is difficult to identify an exact moment, but there are two factors in my life which I can see as pivotal.

For 15 seconds there was silence, just the soprano crying, it was very moving.